Year｜ 2025-2026
Medium｜ Multi-channel audio & multi-screen synchronized audio-visual installation
Duration｜ 7–8 minutes
Womb Palace is an immersive audiovisual installation that explores sound as vibration and image as frequency.
Built as a sensory space rather than a narrative, it evokes the sensation of being inside a resonant body—where sound breathes, textures move, and perception becomes fluid. The work grows from recordings of low-frequency pulses, breath, and elemental sounds layered with fragmented vocals. These are composed to form an intimate, enveloping sonic field—something between heartbeat and atmosphere. Visually, it unfolds as drifting projections of organic matter and light—skin, water, pulse, memory—shifting in rhythm with the sound.
Still in its nine-month process of becoming, Womb Palace is a space of listening and gestation—a place where frequency turns into feeling, and vibration becomes language.
Title｜REPTILES
Year｜ 2020
Medium｜ Multi-channel audio & multi-screen synchronized audio-visual installation
Duration｜ 7–8 minutes
The experimental short film "Reptiles" explores the disconnected relationship between contemporary Chinese youth and screens.
With a visual feast of screens and technology, we are indulged with narcissism, like the floods of "1/0" binary codes eroding our brains, spines, limbs, an illusion of pleasure brought by morphine. Lost and depressed from the real world, she enters an utopiaian island. Through the spirits of nature, a grand religious ritual is held. Prayer, step emptiness, lingering, chanting, music, incense, and flame. Is this the last exit to our true connection?
Title｜NO PULSE WATCHED FROM THE HIGHLANDS
Year｜ 2024
Medium｜ Experimental short film, color/sound,
Duration｜ 5 minutes
No Pulse Watched from the Highlands is a 5-minute experimental short that blends ethnographic observation with abstract visual poetics. Filmed in Southwest China during the Yi (Nuo Su) Torch Festival, the work follows a 9-year-old horse-racing prodigy, while fragmenting the linearity of narrative through layered soundscapes, slowed gestures, and dreamlike rhythms.
This is not a document, but a dissonance — between child and myth, heritage and spectacle, breath and ritual. The film resists fixed meaning, offering instead a sensory encounter with movement, ancestry, and the phantom heartbeat of disappearing traditions.